STAN & DELIVER: MADONNA’S “4 MINUTES”

In celebration of the 5th anniversary of the release of Madonna‘s eleventh studio album, Hard Candy, I contributed a little blurb about “4 Minutes” to Idolator‘s “Stan & Deliver” column. Check it out below and don’t forget to visit Idolator to read the whole feature!

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4 Minutes (feat. Justin Timberlake): There was a time when superheroes were just the stuff of literature and fantasy. That is until there was Madonna. With her bulging steel biceps, constantly evolving wardrobe of spandex and Boy Scout uniforms, British aliases and a gallery of rogues ranging from Elton John to Mother Monster herself, the Queen of Pop has defeated such contemporary evils as hydrangeas and box office success.

With nearly every Madonna album, the legendary performer has reinvented and expanded upon her signature sound. And following the release of her 2005 electro-pop masterpiece, Confessions on a Dance Floor, Madge decided that in order to keep things fresh, it was time to inject her music with a little hip-hop flavor.

The pressure, then, for Hard Candy’s lead single was on. A collaboration with hit-making duo Justin Timberlake and Timbaland, “4 Minutes” introduced listeners to the new urban-influenced Madonna. The song’s marching-band-meets-Michael-Jackson vibe immediately attracted mainstream radio, and “4 Minutes” went on to peak at #3 on the Billboard Hot 100 (and earn Madonna her 37th top ten hit, breaking Elvis’ record as the artist with the largest amount of top ten singles).

Inspired by Madonna’s activism for social change and equality, “4 Minutes” served as a rallying cry for people to give back to the world we live in — and to remind them that they can have fun while doing so.

As for that four-minute time-constraint to save the world? “I don’t think it’s important to take it too literally,” Madonna explained to MTV in a 2009 interview. “I think the song more than anything is about having a sense of urgency; about how we are, you know, living on borrowed time essentially, and people are becoming much more aware of the environment and how we’re destroying the planet. We can’t just keep distracting ourselves. We have to educate ourselves and wake up and do something about it, you know?”

The blend of hip-hop, bhangra beats, uptempo dance music, and playful lyrics in “4 Minutes” perfectly represents the overall structure and aesthetic of Hard Candy, making it a smart and obvious choice for the album’s kick-off single. And while the Grammy-nominated song may not be one of Madonna’s strongest, it’s certainly a necessary one in her diverse and expansive repertoire.

JESSIE WARE DAZZLES AT NEW YORK CITY’S BOWERY BALLROOM (CONCERT REVIEW)

“I knew you Americans would get it,” British singer Jessie Ware said over uproarious cheering at the Bowery Ballroom, New York’s intimate concert venue, last Thursday.

Ware, who had just made her American television debut the previous day by performing with The Roots on Late Night With Jimmy Fallon, was celebrating the release of her new EP, If You’re Never Gonna Move (available on iTunes). Comprised of select tracks from her Mercury Prize-nominated 2012 overseas premiere album, Devotion, the EP serves as Ware’s official introduction to American audiences.

The last time Ware stepped foot in the Bowery Ballroom, she told the crowd, was in December to see Solange’s headlining show. Like Solange, Ware is part of an exciting musical movement that’s ushering in the resurgence of ‘90s house by blending it with elements of Motown, disco, and traces of contemporary EDM. By doing so, artists such as these two have crafted an innovative musical style that manages to sound as fresh as it is retro.

And their industry peers are starting to really notice. Earlier this month, girl group Destiny’s Child reunited for the release of “Nuclear,” their first original song in seven years. A welcome and surprising throwback to ‘90s R&B, “Nuclear” immediately prompted comparisons to the likes of Jade and Vanessa Williams. And while the lack of Calvin Harris / David Guetta production or a Nicki Minaj guest-verse will likely prevent “Nuclear” from becoming Destiny’s Child’s next “Survivor”-level smash, the song’s release signifies something far more important – and frankly, far more interesting.

By paying homage to the era they began in, Destiny’s Child released a song that not only acknowledges that their fans have grown up too (taking notes, Madonna?), but that also catapults the distinct flavors of ‘90s R&B back into a mainstream spotlight. And lead singer Beyoncé (who had already begun to experiment with resurrecting this classic sound on her phenomenal and underrated 2011 album, 4) clearly has no plans to shift the spotlight anytime soon.

“I’ve been working with Pharrell and Timbaland and Justin Timberlake and Dream. We all started in the ’90s, when R&B was the most important genre, and we all kind of want that back: the feeling that music gave us,” the new mother said in an interview in this month’s GQ about her upcoming fifth studio album.

So what does this mean for Ware? Well, for starters, her influence is beginning to be felt on a very large scale. Plus, the increasing popularity of this nu-soul approach to R&B certainly means that Devotion’s upcoming American release (tentatively slated for April) may generate for the singer what 21 generated for fellow-Brit Adele: massive crossover appeal. And considering that tickets for Ware’s Bowery Ballroom show sold out in thirty minutes even before she officially released an album in the U.S., it’s a safe bet to say that Ware’s is a voice we’ll all be hearing a lot of this year.

Ware’s love for the music that inspired her was on full display during her entire set. In addition to singing Brownstone’s classic “If You Love Me,” Ware mashed up her own hip-hop tinged song “No To Love” with Marvin Gaye’s “I Want You.” And for a brief moment during her exceptional cover of Bobby Caldwell’s “What You Wouldn’t Do For Love,” she mixed in part of Aaliyah’s “Age Ain’t Nothing But A Number.” Ware then casually pointed out mid-song that the day before would have been the deceased ‘90s R&B superstar’s birthday. Clearly, she has been doing her homework.

One of the first things that struck me about Ware’s performance is that not only does she sound exactly the same live as she does on her recordings, but also that sometimes she sounds even better. Filling the intimate space of the Bowery Ballroom, Ware’s melancholy and pitch perfect vocals were accompanied by a three-piece band. The second thing that struck me was that Leonardo DiCaprio would have probably been really jealous of how well Ware rocked the exposed midriff look.

Hearing Ware sing live almost suggested that her recordings are too small to fully capture her big voice. The vocal decorations that she added to songs like the lounge-y “Still Love Me,” the deliciously sexy “Night Light,” and album title track “Devotion” showed off just how insanely talented the songstress really is.

What’s more is that Ware is as humble as she is gifted. The amount of adoration pouring out from the audience was undeniable – and for Ware, it was honestly surprising. Upon receiving a bouquet of flowers from a fan near the front of the stage, she teared up and seemed genuinely taken aback. While headlining an American tour for the first time may have sounded like a potentially nerve-wracking experience, Ware couldn’t have received a warmer welcome.

The first of two back-to-back songs that evoke water imagery, Ware’s masterful delivery of the despondent and beautiful “Swan Song” seemed effortless. And before breaking into the next song, “Taking In Water,” she revealed that the ballad (which she wrote for her brother) almost didn’t make it onto the final cut of Devotion. Luckily it did, and the musician called it one of the songs she’s most proud of.

Additional highlights from Ware’s hour-long set included the simple and sizzling synthpop single, “If You’re Never Gonna Move” (recently retitled from “110%” due to legal problems obtaining the clearance of a sample used), album standout “Sweet Talk,” and the official-anthem-of-longing, “Something Inside.”

While the crowd’s applause level was never anything short of feverish, never was it higher than when Ware played “Wildest Moments.” The third single to be released from Devotion, “Wildest Moments” was written after Ware had a fight with a friend and was inspired by the duo’s shaky relationship. And despite having performed the song on Fallon the night before, Ware serenaded her audience with such conviction that it almost sounded like it was the first time she ever sang it.

Wrapping up her set with her brilliant debut single, “Running,” Ware chose to skip an encore, explaining that she “doesn’t believe” in them and that “you all have to go to sleep and go to work tomorrow, so yeah. Last song.” It was moments like these that demonstrated Ware’s honest, charming and warm disposition, making her one of the most grounded artists I’ve seen in a long time.

If all goes according to schedule and Devotion sees its American release this spring, be sure to make it a point to catch Ware’s phenomenal live show. Trust me, it may not be long before the tickets soar out of your price range.

Originally published on PopBytes