INTERVIEW WITH “MISS SAIGON” STAR EVA NOBLEZADA

EVA NOBLEZADA IS A GIRL NO MORE.

When she was just 17, Noblezada landed the coveted role of Kim in Miss Saigon after a casting director heard her sing at the 2013 National High School Musical Theatre Awards (a.k.a the Jimmy Awards). Less than five years later, the now 21-year-old star is in the midst of wrapping up her truly sensational and Tony-nominated run in the Broadway revival of the musical (which closes January 14).

As if that’s not enough, Noblezada is also kicking off her 2018 with the final performances of her acclaimed solo concert, “Girl No More.” For the Filipino/Mexican-American singer, alternating between a Broadway stage and an intimate concert venue (NYC’s Green Room 42) have culminated in her dreams of becoming both a musical theater actor and a solo musician coming true.

I chatted with Noblezada as she reflected on her time in Saigon, what to expect from her solo concerts, her recent marriage, what she plans to do next, and more.

ALEX NAGORSKI: Miss Saigon closes this month. Looking back at the show’s Broadway run, was there a specific performance that was your favorite?

EVA NOBLEZADA: No favorites. Just a lot of happy memories on and offstage. Opening night was special. Having my family and fiancé (at the time) in the audience and seeing their faces during bows was a heartfelt and incredible moment. I’ll never forget it! But doing the show day to day – even when it did seem like a grind – is just special in general. We have so many laughs!

What are your plans after the show closes? Where and when can your fans come to see you next?

I can’t say, as I’m not too sure. All I know is I’m excited about the little break I get. I’m excited to get away and revitalize myself!

Before the revival came to Broadway, you starred in the West End production of Saigon. What did you find to be the biggest differences between your experiences with this show in London and in New York?

I find the audiences different. Good different! In England, stage door sometimes isn’t a thing! So that was a change here, having gates and large crowds! Other than that, I find it’s really similar.

Since its 1989 debut, Miss Saigon has been revered as a contemporary musical theater classic. What do you think it is about this show that has captivated so many millions of people worldwide for the past nearly three decades?

Miss Saigon is a timeless story. It can be put in any backdrop of culture or setting and it’d still be beautiful. Also, you listen to the incredible music and that alone is a show! It breaks people’s hearts and transforms the environment with romance and passion … and lots of belting.

You also played a short run as Éponine in the West End production of Les Misérables. What is it about the music of Claude-Michel Schönberg that continues to draw you to his musicals?

Eight months isn’t too short! Well what’s not to love? His music in inspiring. Not to mention, I’ve wanted to play Eponine since I was a little girl.

In May 2016, you made your Carnegie Hall debut by performing “The Movie In My Mind” alongside Lea Salonga, who originated the role of Kim. How influential was Salonga when you were discovering your own interpretation of this iconic and complex character? And what’s the best advice that she ever gave you?

What a day to remember! I never saw Lea. I wasn’t even born! And I didn’t want to watch her Kim in fear that I would unconsciously take things from her brilliant performance. I started with a fresh page. No pre-conceptions. Nothing. Just the music, script and incredible cast next to me to help guide my young Kim through the ropes. Lea is legendary. Not only her voice but in character. What’s amazing about Lea is that she knows exactly how it is to be thrust into this role. Sometimes I have questions and just text her and she’s so honest. She really is an inspiration and idol.

You got married this past November. Congratulations! What has been the biggest highlight of newlywed life so far?

Thank you! I’m the luckiest woman alive! Just having him in my life. Even though a lot of the relationship is long distance. Our time together, even if not physically, is special and gets better every day. He’s an incredible, incredible person.

What was the defining moment in your life when you realized you wanted to pursue being a stage actor as a career?

I can’t say defining, but as a young girl I never shut up. I was always singing and wanting to perform for people!

Miss Saigon marked your Broadway debut, for which you received a Tony Award nomination. What did this type of industry recognition mean to you?

The Tonys was a crazy time. I learned so much more than I thought possible. The recognition for the show was more important for me. The day of course was special. Honestly, I wasn’t harnessing energy in winning. I was there to enjoy a day that I never thought possible in celebration of an amazing cast and the mini career I had made for myself.

On your nights off from Miss Saigon, you’ve been performing your solo concert, “Girl No More,” at The Green Room 42. Where does this concert’s name come from?

It is cheesy! But I just thought, “Hey, there are a lot that people don’t know about me.” It kind of stuck out.

What aspects of yourself as a performer are you able to display in this concert format that fans of yours might not have seen in Saigon?

Everything! I’m a character in Saigon. I’m playing a role that isn’t Eva. At my concert, I’m Eva. I’m myself. I sing whatever I want to sing and say whatever I want to say. They’re two different freedoms I can express on the Broadway stage and on a small stage. Both are important and both I’m in love with.

In “Girl No More” (which has been extended regularly since its fall 2017 debut), you sing quite a wide range of music. You cover artists like Frank Sinatra and Amy Winehouse and sing the signature songs of musical theater characters such as Elphaba, Sally Bowles, and Yentl, to name a few. How did you go about curating the set list for this show?

I had SO much fun putting together this set list. It was so easy too! I sat down with my brilliant Musical Director, Rodney, and continued to add song after song that I remember singing in my closet as a teenager. And every time I get to sing it, it fills me with so much joy!

Has “Girl No More” inspired you to want to release your own solo music? If so, what would that sound like and when can your fans expect to be able to hear/purchase it?

Yes and no. When I do release my own music, it’ll be when I have the time to. I am desperate to start a new chapter in my life.

Who are some of your biggest influences as both a solo vocalist and a musical theater performer?

Sutton Foster. My family. Amy Winehouse. And whoever I work with!

There have been long-gestating rumors that a film adaptation of Miss Saigon is in the works. Aside from yourself, who are some actors that you would like to see play Kim on screen?

I don’t care who it is. I will say this – there are too many beautiful Asian actors that don’t need a “name” to be in it. It needs to be someone who can tell the story honestly, as her own, and sing the shit out of it.

What are your musical theater dream roles?

Off the top of my head? Jeez. I would love to do something like Chicago – or play a man or something.

Thank you so much, Eva! I was so blown away by your performance in Saigon and I truly can’t wait to see what you do next. Is there anything that you’d like to add that we didn’t discuss?

Thanks so much for taking the time! I would like to add, for anyone out there who is aspiring to be an actor/performer, being on Broadway will not define you. Know exactly who the hell you are. Your biggest strength will be filtering the bullshit (this includes people) who will want to shape you and change you into someone you’re not. Know who you are. Don’t be afraid to say no. Stop comparing yourself to everyone else. Take care of your body. Put people in your life who really love/tough love you. And come see Saigon!


Miss SaigonCLICK HERE to purchase tickets to see Eva Noblezada in Miss Saigon, now through January 14 only!

And CLICK HERE to purchase tickets to Eva’s solo concert, “Girl No More.”

Originally published on PopBytes

FIVE MUST-SEE SHOWS ON THE NYC THEATER SCENE THIS FALL

Can’t score a ticket to Hamilton? Need something to hold you over until WaitressThe Crucible and American Psycho open in the spring?

Below, check out a list of five of the most exciting new shows and revivals on the New York theater scene this fall.

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ALLEGIANCE

STARRING: George Takei, Lea Salonga, Telly Leung, Katie Rose Clarke, Michael K. Lee
WHERE: Longacre Theatre (220 West 48th Street)
WHEN: Now playing

STORY

After Pearl Harbor is attacked, a Californian Japanese-American family is sentenced to forced internment at a Wyoming camp. While there, all of the families who have been relocated are required to a fill out an infamous loyalty questionnaire as a way of ensuring their allegiance to the United States instead of Japan. On this questionnaire, internees must designate whether or not they are willing to enlist. For Sammy Kimura (Telly Leung), the decision is a no-brainer: of course he will join the American troops. But for others, like Frankie Suzuki (Michael K. Lee), burning draft cards and publicly denouncing the country that imprisoned his family sends a much louder message. So when Sammy’s sister, Kei (Lea Salonga), falls in love with Frankie, he must learn how to navigate battle terrains not just while at war, but at home as well.

WHY YOU SHOULD SEE IT

Inspired by Takei’s own life, this multi-generational family saga chronicles what happens when a man is torn between his love for his country and his love for his family. With his father refusing to put on a U.S. military uniform out of principle, and with his sister starting a new life with the man he sees as the antithesis of what he stands for, Sammy struggles to balance his beliefs and responsibilities. A fascinating character study that forces its audience to think about what patriotism means to them, Allegiance is a thought-provoking, unique look at a dark chapter in American history that must not be forgotten.

STANDOUT SCENE

As always, Salonga is a vocal titan. Her big solo, “Higher,” acts as the biggest show-stopper of the production. After finding herself caught between Frankie and Sammy, Kei must decide how to give both of these men the love and support that they need. She sings about pushing herself to new levels to be who she needs to be for them. Coupled with Jay Kuo’s music and lyrics, the song showcases not just Salonga’s powerful instrument, but how war harshly impacts more than just those on the battlefield.

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DAMES AT SEA

STARRING: Eloise Kropp, Lesli Margherita, John Bolton, Mara Devi, Danny Gardner, Cary Tedder
WHERE: The Helen Hayes Theatre (240 West 44th Street)
WHEN: Now playing

STORY

A charming and nostalgic ode to the golden era of movie musicals, Dames at Sea opens with black and white credits presented on a projection screen, immediately transporting its audience back several decades. When a young small-town woman steps off the bus in New York City to pursue her goal of becoming a Broadway star, she meets a cast of characters who can all help make her dreams come true. But when the show she plans on making her big debut in loses its venue, it’ll be up to her and her friends to find a new location and perfect the show before the curtain call – all in the matter of one very busy day.

WHY YOU SHOULD SEE IT

Aside from being the show that once launched the career of the great Bernadette Peters,   is not your typical tap musical. While it does pay homage to the days of Cole Porter and Fred Astaire, the show acts almost like a lighthearted parody of the musicals of that time. Full of self-aware humor and comical jabs at how sensationalized the plot is, this production acts as a refreshing, laugh-out-loud contemporary companion to the shows from the era it’s set in.

STANDOUT SCENE

Any scene with Lesli Margherita is worth the full admission price. As a diva living in fear of being replaced by a fresh-faced unknown, Margherita is terrifically over the top. She shamelessly seduces the men around her to get what she wants and then tosses them aside when they’ve fulfilled her wishes. The hilarious choices she brings to her character make her the “villain” you root for, even if it’s just to make sure that she doesn’t leave the stage. With a booming voice and dance skills that would make any ingénue shake in her tap shoes, Margherita is a bonafide scene-stealer whose magnificent work in this show will undoubtedly be recognized by Tony voters.

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FIRST DAUGHTER SUITE

STARRING: Caissie Levy, Alison Fraser, Betsy Morgan, Rachel Bay Jones, Mary Testa, Barbara Walsh, Theresa McCarthy, Isabel Santiago, Carly Tamer
WHERE: The Public Theater (425 Lafayette Street)
WHEN: Now through November 22 only!

STORY

Presented in four separate parts, First Daughter Suite is an exploration of the wives and daughters of various American Presidents. Directed by Kirsten Sanderson and written by Michael John LaChiusa, this new musical delves into the relationships these women have with one another and with how they’re perceived by the American people. Featuring Julie Eisenhower, Pat, Tricia and Hannah Nixon, Amy and Rosalynn Carter, Susan and Betty Ford, Patti Davis, Nancy Reagan, Anita Castelo, and Barbara, Laura and Robin Bush, First Daughter Suite is an original look at the deeply private lives of these highly public figures.

WHY YOU SHOULD SEE IT

The Public has been churning out hit after hit. Last year, their show Fun Home (read my review here) went on to Broadway and won five Tony Awards, including Best New Musical. This year, of course, is all about Hamilton. After its initial sold-out run at The Public, the show has gone on to be a certified box office juggernaut since its Broadway debut. With the accolades already piling up (including a McArthur “Genius Grant” for creator and star Lin Manuel Miranda), Hamilton is all but sure to sweep the Tonys come June. So how can The Public follow up two smash successes like this?

With First Daughter Suite, they continue to encourage innovative new musical theater. The show also features a vast cast of immensely talented women. Theater buffs will be delighted to hear them all sing in the intimate venue. With essentially no dialogue, the show transitions from song to song, giving each actor an opportunity to individually shine. And when they’re not performing their solos, they break off into layers of harmonies and belt-off contests which amount to pure ear candy. It’s worth catching First Daughter Suite for the singing alone – but if you can’t check it out live, don’t miss the recently announced cast recording when it hits stores in 2016.

STANDOUT SCENE

In the closing vignette, Barbara Bush (Mary Testa) is commemorating Robin (Theresa McCarthy), her daughter who died at the age of four from pediatric leukemia. As she stands watching the Atlantic waters crash against the Maine shore on a cold October day in 2005, she’s visited by Robin’s spirit, and the audience quickly learns that the two of them have this reunion on this same day every year – the anniversary of Robin’s death. When Laura (Rachel Bay Jones) arrives and beckons Barbara inside, the sharp contrast between her relationship with her daughter-in-law and deceased daughter underscores how even with time, the pain and impact of losing a child is something that no parent can ever forget.

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FOOL FOR LOVE

STARRING: Sam Rockwell, Nina Arianda, Tom Pelphrey, Gordon Joseph Weiss
WHERE: Samuel J Friedman Theatre (261 West 47th Street)
WHEN: Now through December 13 only!

STORY

A pair of ex-lovers (Rockwell and Arianda) find themselves in a small motel in the Mojave Desert. There, they passionately rip each other to shreds, revealing their darkest and most shocking secrets. As they continue to pick at the scabs of the relationship they once had, will what’s underneath reveal that they do – and can – still love one another?

WHY YOU SHOULD SEE IT

Written by Sam Shepard with his signature gritty and fiery flair, Fool For Love is a brutally honest and often dirty look at what it means to be drawn to someone who brings out the worst in you. It’s a multi-layered, complex drama that unpacks the many definitions of “love” and tests its limits in merciless ways. Although you won’t leave the theater feeling uplifted, the punch in the gut feeling you depart with is a testament to the work’s resounding power, unapologetic dialogue, and the committed performances of the actors.

STANDOUT SCENE

Without giving too much away, a pivotal reveal is when one of the characters discloses the truth surrounding the death of the other one’s mother. In a show chock-full of jaw-on-your-floor moments, this one certainly takes the cake. It’s so shattering that it will send a chill down the audience’s spines, resulting in the type of visceral reaction only truly excellent theater is capable of. And as the aftermath of this reveal begins to have its full ripple effect, the vulnerability and tension that comes out of it culminates in the show’s explosive finale.

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ON YOUR FEET

STARRING: Ana Villafane, Josh Segarra, Andrea Burns, Alma Cuervo
WHERE: Marquis Theatre (1535 Broadway)
WHEN: Now playing

STORY

Set to the duo’s biggest hits, On Your Feet is a biographical show about the lives of Gloria and Emilio Estefan. We meet Gloria (Ana Villafane) as a teenager and follow her on her journey to international superstardom. Along the way, she and Emilio (Josh Segarra) fall in love, stand up to music industry executives who claim the world isn’t ready for their sound, and craft smashes like “Conga,” “Rhythm Is Gonna Get You,” “1-2-3,” and “Turn The Beat Around.”

WHY YOU SHOULD SEE IT

You don’t need to be a Gloria Estefan fan to enjoy On Your Feet – but you’ll certainly be one after you leave the theater. Directed by Jerry Mitchell and featuring sizzling choreography by Sergio Trujillo, the show acts as a high-energy concert of sorts, interlaced with an inspiring and touching story told in between the classic numbers. Featuring a detailed look at fame, family, and assimilation, On Your Feet is the type of feel-good production that so many jukebox musicals strive to achieve but rarely actually do.

STANDOUT SCENE

After the tour bus accident that almost took her life, Gloria must learn how to walk before she can conga again. As she is in the process of rehabilitation, she and Emilio have their only real argument of the show. He wants her to make her comeback performance at the American Music Awards, while she’s afraid that she might not be ready and that people will only pity her. Together, they overcome the difficulties they’re faced with. And when Gloria eventually returns to the stage, it’s a soaring, moving, and triumphant moment – not just for them but also for those witnessing their story unfold.

Originally published on PopBytes