GETTING “OBSESSED” WITH LENA HALL

IF YOU’RE NOT OBSESSED WITH LENA HALL YET, 2018 IS GOING TO CHANGE THAT.

Lena Hall Obsessed: HedwigKnown for effortlessly blending the worlds of Broadway and rock-and-roll, Hall is kicking off this year with a groundbreaking and hugely ambitious creative endeavor. The first Friday of each month in 2018 will mark the release of a new EP in her Obsessed series on all digital and streaming platforms. Each of these EPs will pay homage to a different musical act/artist that has shaped Hall into the extraordinary performer that she is today. And what’s more, the 37-year-old will release a music video every single week of the year to accompany all 54 songs that will appear across the span of the 12 Obsessed EPs.

This month, Hall launched Obsessed with a tribute to Hedwig And The Angry Inch, the landmark rock musical for which she won a Tony Award and received a Grammy Award nomination. I spoke with the theater icon about her creative process, the various musicians she’s covering, her upcoming tour, her new film and television roles, returning to Broadway, and more.

ALEX NAGORSKI: How did you come up with the Obsessed series and what made you decide to release these EPs on an unprecedented, monthly basis? 

LENA HALL: I did a show at the Café Carlyle (in NYC) with Michael C. Hall called “Obsessed – Radiohead.” It was such a hit that I wanted to make it a series of concerts that highlighted one artist per concert. I decided that an album series was a good way to tie in the “Obsessed” concert idea and give fans around the world access to the shows in some way.

Around the same time, I did a series of videos for Complex.com called “Stripped,” where I released one video per week for 20 weeks. This was a way to give fans content and the feeling that I was singing live for them in their living room. Kurt Deutsch of Ghostlight/SKB Records came to me and offered to do a formal release for my next Obsessed album, which was announced as Hedwig.

After a meeting with Kurt and Kevin Gore, we all decided to combine the ideas of the Obsessed albums and concerts and the “Stripped” videos to make it a yearlong series. We concluded that a good way to keep people interested in the series was to do one artist per month, with the EP coming out at the beginning of the month and the sister videos coming out every week that month in support of it. Each EP (except for Hedwig) matched the month it’s released. Some EPs have four songs and some have five depending on how many Fridays are in each month.

Are all of these EPs meant to be standalone pieces or is there a larger narrative linking them to one another?

There is no larger narrative other than these are all artists I love and want to introduce to a brand new fanbase. These albums and videos are a love letter to each of these artists and bands. My personal favorites! This is just the first 12. I hope to do multiple seasons of this series!

Are you recording straight covers of the songs you’re featuring or are you reinterpreting them somehow? What does that creative process consist of?

It depends on the song. Some songs are very close, where the only difference is my own vocal interpretation. Others have been reimagined. I wanted to focus on what made the song stick out to me. The lyrics, or the chord progressions or simply the way it was sung. Sometimes I cover a song the artist covered. A cover of a cover. In this case, I did that to illustrate how someone else’s genius interpretation of a song made it iconic.

Why was Hedwig the natural choice to launch this series with? How did your experience playing the show’s titular character on its national tour (in addition to reprising your Tony-winning performance as Yitzhak) impact your approach to these beloved songs?   

We started with Hedwig because it has had the biggest impact on my life. From the first time that I saw the show and heard the album to playing Yitzhak and winning a Tony Award to finally playing Hedwig! There is no show on Earth that has had such an impact on my life. The original Off-Broadway cast recording was something I listened to, on repeat, trying to sing along wishing the songs were in my key!

The artists you’re covering include such varying acts as Elton John, Nirvana, Pink, David Bowie, and Radiohead (to name just a few). How did you go about selecting the musicians you’ll be paying homage to?

These are all artists that are markers of different stages in my life. They bring up strong memories of experiences that have shaped me into the person I am today.

Once you’ve selected the artist(s) you’ll be focusing on for each EP, how do you go about narrowing down the songs in their respective discographies to decide which ones you’ll be recording? 

I selected a few hits but also wanted to cover some of the songs that spoke to me that were more B-sides, the songs I listened to on repeat that rarely got airplay. It will hopefully inspire the listener to dig deeper into each artist’s catalogue.

Which of the series’ upcoming EPs do you think your fans will be most surprised to hear? 

I’m not sure. I think the artists themselves are a very eclectic bunch. Each one will be a surprise to someone, except for maybe Hedwig. I don’t think anyone is surprised by that choice!

You’ve also created performance music videos for all 54 songs in this series. As a performer, what role do these videos play in your Obsessed journey?

I wanted a way for fans who can’t get to my live shows to have some kind of connection to me.

Vocally and creatively, what have been the biggest challenges in the recording of this series? 

Recording the entire series in 8 days! That was the biggest challenge. To give you an idea of what that meant, we recorded from 11 A.M. – 7 P.M. for 8 consecutive days and we did about 3 takes per song, give or take. That means I sang a total of about 162 songs in 8 days. At the same time, we filmed the entire recording session for the YouTube videos.

When do you plan to release full details about your upcoming tour in support of Obsessed? And what can your fans expect from these live shows, beginning with your Rockwood Music Hall Stage show in New York at the end of January? 

We should have a full concert schedule out soon! For now, I am planning to do one show at the end of every month to celebrate that month’s artist and tease the next artist. I will also take fan requests to play some favorites from the past Obsessed albums. Hopefully, I will be able to tour most of the U.S. and Canada, as well as Europe (schedule permitting).

If another performer were to release an Obsessed: Lena Hall EP in the future, what would be on it? How do you think this musician could best capture your essence and artistry within a handful of covers? 

I’m hoping I will have some original solo material in the near future for them to cover! I would be interested to see how someone like me would influence a new artist.

Do you have any plans to return to the Broadway stage anytime soon? If not, what type of production/role would entice you to come back? 

I hope to return to Broadway very soon! Whatever it is, I will be 100% passionate about the project and I will put my heart and soul into it every single night!

Becks (which hits theaters and VOD February 9) marks the first movie in which you’re playing a leading role. What are you most excited about for when your fans see this film? 

I am excited for fans to see me in a much more intimate setting. The film is more up close and personal. I love this movie and all it stands for as well as the soundtrack. Hopefully people will relate deeply with the character I play and with the themes. We are very proud of it already winning at the L.A. Film Festival and getting such critical praise prior to the release!

Later this year, you’ll also be making your debut as a television series regular on the new TNT dystopian thriller Snowpiercer, alongside Jennifer Connelly and Daveed Diggs. What can you tease about your character, Sayori? And how will the series differ from/build upon the world introduced in the acclaimed 2013 film of the same name that it’s based on?

I can’t say much about the project because I want something to be a surprise. But I will say that, to me, Sayori is the most interesting character on the show and is the type of role I have been dying to play. The TV show will focus more on the class wars that occur within the train.

Thank you so much, Lena! I can’t wait for the remainder of the Obsessed EPs and to see you on both the big and small screens this year. Is there anything else that you’d like to add that we didn’t talk about? 

Nothing to add other than I am looking forward to getting everyone’s feedback on all my projects in 2018! Thank you!

Originally published on PopBytes

INTERVIEW WITH “MISS SAIGON” STAR EVA NOBLEZADA

EVA NOBLEZADA IS A GIRL NO MORE.

When she was just 17, Noblezada landed the coveted role of Kim in Miss Saigon after a casting director heard her sing at the 2013 National High School Musical Theatre Awards (a.k.a the Jimmy Awards). Less than five years later, the now 21-year-old star is in the midst of wrapping up her truly sensational and Tony-nominated run in the Broadway revival of the musical (which closes January 14).

As if that’s not enough, Noblezada is also kicking off her 2018 with the final performances of her acclaimed solo concert, “Girl No More.” For the Filipino/Mexican-American singer, alternating between a Broadway stage and an intimate concert venue (NYC’s Green Room 42) have culminated in her dreams of becoming both a musical theater actor and a solo musician coming true.

I chatted with Noblezada as she reflected on her time in Saigon, what to expect from her solo concerts, her recent marriage, what she plans to do next, and more.

ALEX NAGORSKI: Miss Saigon closes this month. Looking back at the show’s Broadway run, was there a specific performance that was your favorite?

EVA NOBLEZADA: No favorites. Just a lot of happy memories on and offstage. Opening night was special. Having my family and fiancé (at the time) in the audience and seeing their faces during bows was a heartfelt and incredible moment. I’ll never forget it! But doing the show day to day – even when it did seem like a grind – is just special in general. We have so many laughs!

What are your plans after the show closes? Where and when can your fans come to see you next?

I can’t say, as I’m not too sure. All I know is I’m excited about the little break I get. I’m excited to get away and revitalize myself!

Before the revival came to Broadway, you starred in the West End production of Saigon. What did you find to be the biggest differences between your experiences with this show in London and in New York?

I find the audiences different. Good different! In England, stage door sometimes isn’t a thing! So that was a change here, having gates and large crowds! Other than that, I find it’s really similar.

Since its 1989 debut, Miss Saigon has been revered as a contemporary musical theater classic. What do you think it is about this show that has captivated so many millions of people worldwide for the past nearly three decades?

Miss Saigon is a timeless story. It can be put in any backdrop of culture or setting and it’d still be beautiful. Also, you listen to the incredible music and that alone is a show! It breaks people’s hearts and transforms the environment with romance and passion … and lots of belting.

You also played a short run as Éponine in the West End production of Les Misérables. What is it about the music of Claude-Michel Schönberg that continues to draw you to his musicals?

Eight months isn’t too short! Well what’s not to love? His music in inspiring. Not to mention, I’ve wanted to play Eponine since I was a little girl.

In May 2016, you made your Carnegie Hall debut by performing “The Movie In My Mind” alongside Lea Salonga, who originated the role of Kim. How influential was Salonga when you were discovering your own interpretation of this iconic and complex character? And what’s the best advice that she ever gave you?

What a day to remember! I never saw Lea. I wasn’t even born! And I didn’t want to watch her Kim in fear that I would unconsciously take things from her brilliant performance. I started with a fresh page. No pre-conceptions. Nothing. Just the music, script and incredible cast next to me to help guide my young Kim through the ropes. Lea is legendary. Not only her voice but in character. What’s amazing about Lea is that she knows exactly how it is to be thrust into this role. Sometimes I have questions and just text her and she’s so honest. She really is an inspiration and idol.

You got married this past November. Congratulations! What has been the biggest highlight of newlywed life so far?

Thank you! I’m the luckiest woman alive! Just having him in my life. Even though a lot of the relationship is long distance. Our time together, even if not physically, is special and gets better every day. He’s an incredible, incredible person.

What was the defining moment in your life when you realized you wanted to pursue being a stage actor as a career?

I can’t say defining, but as a young girl I never shut up. I was always singing and wanting to perform for people!

Miss Saigon marked your Broadway debut, for which you received a Tony Award nomination. What did this type of industry recognition mean to you?

The Tonys was a crazy time. I learned so much more than I thought possible. The recognition for the show was more important for me. The day of course was special. Honestly, I wasn’t harnessing energy in winning. I was there to enjoy a day that I never thought possible in celebration of an amazing cast and the mini career I had made for myself.

On your nights off from Miss Saigon, you’ve been performing your solo concert, “Girl No More,” at The Green Room 42. Where does this concert’s name come from?

It is cheesy! But I just thought, “Hey, there are a lot that people don’t know about me.” It kind of stuck out.

What aspects of yourself as a performer are you able to display in this concert format that fans of yours might not have seen in Saigon?

Everything! I’m a character in Saigon. I’m playing a role that isn’t Eva. At my concert, I’m Eva. I’m myself. I sing whatever I want to sing and say whatever I want to say. They’re two different freedoms I can express on the Broadway stage and on a small stage. Both are important and both I’m in love with.

In “Girl No More” (which has been extended regularly since its fall 2017 debut), you sing quite a wide range of music. You cover artists like Frank Sinatra and Amy Winehouse and sing the signature songs of musical theater characters such as Elphaba, Sally Bowles, and Yentl, to name a few. How did you go about curating the set list for this show?

I had SO much fun putting together this set list. It was so easy too! I sat down with my brilliant Musical Director, Rodney, and continued to add song after song that I remember singing in my closet as a teenager. And every time I get to sing it, it fills me with so much joy!

Has “Girl No More” inspired you to want to release your own solo music? If so, what would that sound like and when can your fans expect to be able to hear/purchase it?

Yes and no. When I do release my own music, it’ll be when I have the time to. I am desperate to start a new chapter in my life.

Who are some of your biggest influences as both a solo vocalist and a musical theater performer?

Sutton Foster. My family. Amy Winehouse. And whoever I work with!

There have been long-gestating rumors that a film adaptation of Miss Saigon is in the works. Aside from yourself, who are some actors that you would like to see play Kim on screen?

I don’t care who it is. I will say this – there are too many beautiful Asian actors that don’t need a “name” to be in it. It needs to be someone who can tell the story honestly, as her own, and sing the shit out of it.

What are your musical theater dream roles?

Off the top of my head? Jeez. I would love to do something like Chicago – or play a man or something.

Thank you so much, Eva! I was so blown away by your performance in Saigon and I truly can’t wait to see what you do next. Is there anything that you’d like to add that we didn’t discuss?

Thanks so much for taking the time! I would like to add, for anyone out there who is aspiring to be an actor/performer, being on Broadway will not define you. Know exactly who the hell you are. Your biggest strength will be filtering the bullshit (this includes people) who will want to shape you and change you into someone you’re not. Know who you are. Don’t be afraid to say no. Stop comparing yourself to everyone else. Take care of your body. Put people in your life who really love/tough love you. And come see Saigon!


Miss SaigonCLICK HERE to purchase tickets to see Eva Noblezada in Miss Saigon, now through January 14 only!

And CLICK HERE to purchase tickets to Eva’s solo concert, “Girl No More.”

Originally published on PopBytes